Marina Dikosso-Bebe, “À la rencontre de la première romancière d’Afrique Francophone: Un entretien avec Thérèse Kuoh Moukoury.” Women in French 8.1. (2020) 245-254.
Eric Disbro, “Mapping the Political-Sensual-Spiritual Potential of the Lordean Erotic.” Review of Lyndon K. Gill, Erotic Islands: Art and Activism in the Queer Caribbean in SX Salon 30 (February 2019).
Ryan Pilcher, “‘Ébranler . . . les cœurs’: politique de la désorientation dans Indiana.” George Sand Studies: Feelings, Sensations, Perception: On Emotion in the Writings of George Sand and Women Writers of Her Time. Anne Marcoline, Editor; Catherine Nesci, Associate Editor, vols. 37–38, 2018–2019.
Marie Paillard, “Embodied explorations and migrants’ agency: Movements, memory and solidarity in Passages by Émile Ollivier.” International Journal of Francophone Studies 22.3-4 (December 2019): 311-330.
Marie Paillard, “Décentrer le regard, repenser le monde: Expressions de la créolisation dans Les Voyages et aventures de Sanjay, explorateur mauricien des Anciens Mondes d’Amal Sewtohul.” Nouvelles Études Francophones, Volume 33, Numéro 2, 2018 , pp. 160-175.
Katherine Ellis. Review of Anthony J. La Vopa, The Labor of the Mind: Intellect and Gender in Enlightenment Cultures in The French Review 92.2 (December 2018), pp. 232-3.
Johann Le Guelte, “Lenin: The Inventor of Totalitarianism.” Translation forthcoming in Alexander Riley and Alf Siewers (eds.), Rethinking the Legacy of the Bolshevik Revolution: A Short Critical Introduction (Bucknell University Press).
Carl Cornell, “Past into future: the ‘rewriting’ of Angoulême’s identity.” Contemporary French Civilization 43.2 (July 2018): 185-211.
Andrew Jones, “Art and Logic: Godard’s Alphaville as Philosophy.” Studies in French Cinema 17.2 (2017), 165-181.
Lauren Tilger, “Faire des hommes nouveaux: L’Education féminine dans Aline-Ali (1869) et La Femme et les moeurs: Monarchie ou liberté (1869) d’André Léo.” Women in French Studies, vol. 24, 2016, pp. 33-45.
Andrew Jones, “Art and Logic: Godard’s Alphaville as Philosophy.” Forthcoming, Studies in French Cinema (Summer 2017).
Lauren Tilger, “Gender: The Hidden God in Yasmina Reza’s Le Dieu du Carnage.” Studies in Twentieth & Twenty-First Century Literature (March 2016).
Elizabeth Tuttle. Review of Marie Baudry, Lectrices romanesques: représentations et théorie de la lecture aux XIXe et XXe siècles in Nineteenth-Century French Studies 43.3-4 (Spring-Summer 2015).
Hélène Huet, “Mapping Decadence: From a Hunch to a Website.” Journal of Map and Geography Libraries: Advances in Geospatial Information,Collection and Archives 11.1 (2015): 80-90.
Deirdre McAnally Sennott, “’Il se met à me faire des papouilles zozées:’” Gender, Sexual Violence, and ‘le comique’ in Queneau’s Zazie dans le metro.” Forthcoming, Symposium.
Cédric Briand, “Kaamelott‘s Paradox: Lancelot between Subjugation and Individuation.” Arthuriana, March 2015.